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Режиссёр
Diaries, Notes, and Sketches1968 · Self
Thanatopsis1963 · Director
Lost, Lost, Lost1976 · Self
Hallelujah the Hills1963 · Gideon
Sunstone1979 · Director
George Dumpson's Place1965 · Director
Carol1970 · Director
Relativity1966 · Director
Lifelines1960 · Director
Painters Painting1973 · Фильм
Film with Three Dancers1971 · Director
Birth of a Nation1997 · Self
Scape-Mates1972 · Director
Image, Flesh and Voice1969 · Director
Dance Chromatic1959 · Director
Eclipse1979 · Director
Scrambles1964 · Director
Transformation1959 · Director
Totem1963 · Director
Branches1970 · Director
Hungers1987 · Director
Family Focus1976 · Director
Paintings by Ed Emshwiller1958 · Director
Project Apollo1968 · Director
Sur Faces1977 · Director
Dubs1978 · Director
Galaxie1966 · Self
Crossings and Meetings1974 · Director
Fusion1967 · Director
Skin Matrix S1984 · Director
Pilobolus and Joan1973 · Director
Chrysalis1973 · Director
Art Scene USA1966 · Director
Thermogenesis1972 · Director
Choice Chance Woman Dance1971 · Director
Skin Matrix1984 · Director
Self-Trio1976 · Director
Home Movies 1971-811985 · Фильм
Solstice and Solyanka1975 · Фильм
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”1973 · Фильм

Ed Emshwiller
Биография
Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.Фильмография и роли (40)

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