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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty2000 · Self
Arnulf Rainer1960 · Director
Schwechater1958 · Director
Adebar1958 · Director
Воспоминания о поездке в Литву1972 · Self
Unsere Afrikareise1966 · Director
Diaries, Notes, and Sketches1968 · Self
Mosaik im Vertrauen1955 · Director
23rd Psalm Branch: Part II1967 · Himself
Pause!1977 · Director
Free Radicals: A History of Experimental Film2011 · Himself
Он стоит в пустыне отсчитывая секунды своей жизни1986 · Self (archive footage)
Out-Takes from the Life of a Happy Man2012 · Self
Синематон1978 · N°295
Birth of a Nation1997 · Self
Fragments of Kubelka2012 · Himself
Cinema Austria - Die ersten 112 Jahre2020 · Himself
Four Shadows1978 · Фильм
Dichtung und Wahrheit2004 · Director
Monument Film2012 · Director
365 Day Project2007 · Self
Film als Ereignis, Film als Sprache, Denken als Film2011 · Director
Restoring 'Entuziazm'2005 · Self
Home Movies 1971-811985 · Фильм
Tapes2020 · Фильм
What Is Happening? Art in the Life of Gertie Fröhlich2024 · Self
EXPRMNTL2016 · himself
Cinématon n°295 : Peter Kubelka1983 · self
Cyclopean 3D: Life with a Beautiful Woman2011 · Фильм
My Paris Movie2011 · Фильм

Peter Kubelka
Биография
Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiments in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic Unsere Afrikareise (Our Trip to Africa). Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka also designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theater was painted black and the seating was covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era. Description above from the Wikipedia article Peter Kubelka, licensed under CC-BY-SA, full list of contributors on Wikipedia.Фильмография и роли (30)

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