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Nelda1969 · Director
Fractions of Temporary Periods (I parte 'Ovvero plans-séquence per una bambina' e II parte 'Due ore pomeridiane della bambina')1969 · Director
Stricnina1973 · Director
Vi prego di accettare questo semplice bouquet di parentesi appena sbocciate1966 · Director
Morte all'orecchio di Van Gogh1968 · Director
Migrazioni1970 · Фильм
La striscia1966 · Director
Dell'Acqua1966 · Director
La fiera dei sogni [affreschi di donne nude]1965 · Director
Tempo-Tempio-Ritratto1968 · Director
Trasferimento di Modulazione1969 · Director
Club 3P Battifolle [Un'inchiesta di Pierfrancesco Bargellini]1965 · Director
Il teschio1965 · Director
Un ottofilm di Pierfrancesco Bargellini1969 · Director
Fractions of Temporary Periods (I parte) ovvero Plans-séquences per una bambina1968 · Director
Fractions of Temporary Periods (II parte): Due ore pomeridiane delle bambina1969 · Director
L'incompiuta1965 · Director
Dove incominciano le gambe1974 · Director
Anno 20001965 · Director
Gasoline1970 · Director
Questo film è dedicato a David Riesman e si intitolerà «Capolavoro»1967 · Director
Zukie1970 · Director
Water-closet ovvero attesa per una defecazione1968 · Director
Due silenzi e un'armonica1971 · Director
Baraccone1968 · Director
Macrozoom1968 · Director
Erinnerung An Die Zukunft (Rushes)1970 · Director
Tutto, tutto nello stesso istante1969 · Director

Piero Bargellini
Pierfrancesco Bargellini
Биография
Pierfrancesco Bargellini (Arezzo, 1940-1982), also known as Piero, bought his first movie camera when he was 20 and pointed it at his youthful passions: competition cars and motorcycles. A few years later he met Marco Melani, who became his cinema companion and an actor in his films. He started to make a name for himself in the world of amateur filmmakers and won a prize at the festival of Montecatini. One of the members of the jury was Massimo Bagicalupo, a founder of the Cooperativa cinema indipendente, and he invited Bargellini to enter the brand-new world of Italian underground cinema. While working as an agronomist at the Val di Chiana Irrigation Office he continued to make films in his free time, but shortly afterwards, with the notice and support of the magazines “Cinema & Film” and the group “Filmstudio 70,” he left his job and moved to Rome. Here, during the early 1970s he worked occasionally for RAI and carried on his activity as an independent director in the world of underground cinema. During this period he suffered a series of misadventures with the law and ended up fleeing to Turkey with his wife Oriana and their daughter Rebecca in 1975. After returning to Italy he continued experimenting, jotting down his discoveries in a series of notebooks and fruitlessly trying to find financing for various projects for experimental programs for Rai. Bertolucci and Storaro consulted with him during preparation for La Luna (1981) to try to resolve problems with various special effects. But Bargellini progressively lost contact with the world of cinema and shortly thereafter his troubles with the law began. He was found dead, officially because of an overdose, at dawn on July 10, 1982.Фильмография и роли (28)

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