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Режиссёр
Diaries, Notes, and Sketches1968 · Self
Ming Green1966 · Director
Twice a Man1963 · Director
From the Notebook of...1972 · Himself
Christmas U.S.A.1949 · Director
The Hedge Theater2002 · Himself
Sorrows1969 · Director
The Illiac Passion1967 · Director
Gammelion1968 · Director
Swain1950 · Director
Himself as Herself1967 · Director
Psyche1948 · Director
Serenity1961 · Director
Bliss1967 · Director
Lysis1949 · Director
Birth of a Nation1997 · Self
Sotiros2000 · Фильм
Charmides1949 · Director
Eros, O Basileus1967 · Director
Through a Lens Brightly: Mark Turbyfill1967 · Director
Dionysus1964 · Фильм
Galaxie1966 · Director
The Dead Ones1967 · Director
Gilbert and George1975 · Director
The Mysteries1968 · Director
Eniaios1997 · Director
A Christmas Carol1940 · Director
Flowers of Asphalt1951 · Director
The Olympian1969 · Director
Genius1970 · Director
Prosopographia1976 · Director
Early Monthly Segments2003 · Фильм
The Painting1972 · Фильм
My Hand Outstretched to the Winged Distance and Sightless Measure2005 · Himself
Hulda Zumsteg1969 · Director
Du sang, de la volupté et de la mortDirector
Moment1970 · Director
Political Portraits1969 · Director
Hagiographia II1973 · Director
Cimabue! Cimabue!1971 · Director
Rushes for ‘The Illiac Passion’1964 · Director
Twice A Man Twice1967 · Director
Bliss (Eniaios edit)Director
Winged Dialogue1967 · Фильм
Spiracle1967 · Фильм
My Hand Outstretched to the Winged Distance and Sightless MeasureHimself

Gregory J. Markopoulos
Gregory Markopoulos
Биография
Gregory J. Markopoulos (March 12, 1928 - November 12, 1992) was an American experimental filmmaker. Born in Toledo, Ohio to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940s, and went on to become a co-founder — with Jonas Mekas, Shirley Clarke, Stan Brakhage and others — of the New American Cinema movement. He was as well a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago. In 1967, he and his partner Robert Beavers left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the second edition of Visionary Film, P. Adams Sitney's seminal study of American avant-garde cinema. While he continued to make films, his work went largely unseen for almost 30 years.Фильмография и роли (46)

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