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Three Albinos Telling Jokes by the Fireplace2013 · Director
Eye Eclipse2007 · Director
Placing the Fisheye2012 · Director
Dream of a Ray Fish2011 · Director
The Soup2009 · Director
The Initiate2008 · Director
Proboscis2013 · Director
Those Animals That, at a Distance, Resemble Flies2012 · Director
Triangles and Squares2013 · Director
Fried Egg2008 · Director
Bread, Tea and Bao Game2011 · Director
Cassowary2010 · Director
Chopping Fruits and Vegetables2016 · Director
Rodas2011 · Director
Meteoritica2008 · Director
A Moeda-Viva2024 · Director
Solar, the Blindman Eating a Papaya2011 · Director
Benguelino Casting a Spell on the Camera2011 · Director
The Human Torch2007 · Director
Hand Smaller than Hand2009 · Director
The Horse of the Prophet2011 · Director
Getting into bed2011 · Director
Sleeping Flamingo2018 · Director
3 Sóis2009 · Director
A Coluna de Colombo2009 · Director
Ventriloquismo2009 · Director
Pot Smaller than Pot2010 · Director
Sleeping in a Bullet Train2015 · Director
Water mill2012 · Director
Cowfish2011 · Director
Tarciso’s Analogy2009 · Director
Hairy Stone2009 · Director
Fruit Polyhedron2009 · Director
Turtle2011 · Director
Pipe2014 · Director
Motorcycle, Bike and Human Dots2014 · Director
Glossolalia2014 · Director
Spaghetti Tornado2010 · Director
Donkey2011 · Director
Under a car2011 · Director
Wave2011 · Director
Onça Geométrica2013 · Director

Pedro Paiva
Биография
Joao Maria Gusmao b. 1979, Pedro Paiva b. 1977. Live and work in Lisbon. The Portuguese artists Joao Maria Gusmao and Pedro Paiva have collaborated since 2001 on creating objects, installations and 16mm and 35mm short films. The duo describe their overall project as a kind of “recreational metaphysics,” a genre that to a certain extent they themselves have re-invented following the Portuguese poet Alberto Caeiro (Fernando Pessoa) on his layered aesthetical modern experiment on materialism. The short films depict staged episodes and sequences of pseudo-scientific experiments with both poetical and comical consequences. In recent years Gusmao and Paiva’s production has centered on the idea of movement and duration, both within the cinematographic vocabulary, with references to early film pioneers as Eadweard Muybridge and Etienne-Jules Marey, and through the artists’ own practical experiments and conceptual invention.Фильмография и роли (42)

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