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Pukar1939 · Shahenshaah Jehangir
अमृत मंथन1934 · Rajguru
हुमायूं1945 · Rajkumar Randhir
धर्मात्मा1935 · Mahant
Shaheed1948 · Seth Rai Bahadur Dwarkadas
Amar Jyoti1936 · Durjaya
Shakuntala1943 · King Dushyanta
Mumtaz Mahal1944 · Emperor Shah Jahan
Bharosa1940 · Rasik
Fashion1943 · Yusuf
Apna Ghar1942 · Narendra
Roti1942 · Laxmidas
तकदीर1943 · Justice Jamunaprasad
Raunaq1944 · Фильм
Ramayani1945 · Фильм
Naukar1943 · Fazlu
Pannadai1945 · Banbir
Shalimar1946 · Emperor Jehangir
Ram Baan1948 · Ravan
Jhankar1942 · Фильм
Preet1945 · Фильм
Wahan1937 · Kodanda Verma
Jwala1938 · Angar
Bade Nawab Saheb1944 · Фильм

Chandramohan
Chandra Mohan
Фильмы БЕЗ РЕКЛАМЫMaharashtra, India
Биография
Chandramohan (1905–1949) was one of the most compelling and charismatic actors of early Indian cinema, known for his piercing eyes, expressive intensity, and command over dialogue delivery. Born in Narayangaon, Maharashtra, he began his film career with Amrit Manthan (1934), directed by V. Shantaram, where his performance as a scheming high priest instantly established him as a powerful screen presence. His aristocratic features and theatrical background made him a natural fit for historical and mythological roles. He became a mainstay in major productions throughout the 1930s and 40s, notably in Pukar (1939), where he played Emperor Jehangir with a complex blend of authority and humanity. Chandramohan was often cast in morally ambiguous or villainous roles, yet he brought a rare psychological depth to each character—whether as a tortured prince, a tyrant, or a tragic antihero. His performances in Roti (1942), Humayun (1945), and Shaheed (1948) are especially remembered for their theatrical elegance and emotional resonance. Despite his immense talent, Chandramohan’s life was marred by personal struggles, including alcoholism, which led to his untimely death at the age of 44. He left behind a relatively small but deeply influential body of work, and is still regarded as one of the finest character actors of his era—one whose dramatic flair and intense gaze left an indelible mark on early Indian cinema.Фильмография и роли (24)

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