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أمير الانتقام1950 · Nour
آخر كدبة1950 · Фильм
نور الدين والبحّاره الثلاثة1944 · عثمان عبدالباسط
علي بابا والأربعين حرامي1942 · علي بابا
رصاصة فى القلب1944 · البواب
قدم الخير1952 · Muhammaden
خفير الدرك1936 · عثمان عبد الباسط
مغامرات خضرة1950 · Фильм
سلفني 3 جنيه1939 · عثمان عبدالباسط
التلغراف1938 · Фильм
الساعة 71937 · عثمان
ألف ليلة وليلة1941 · عثمان عبدالباسط
١٠٠ ألف جنيهعثمان عبدالباسط
عثمان وعلي1938 · عثمان عبدالباسط/ علي بك
قسمة ونصيب1950 · Uncle Othman, the servant
لست ملاكاً1946 · Фильм
الأم القاتلة1952 · Фильм
جزيرة الأحلام1951 · Фильм
صاحبة العمارة1948 · فرحات بركات - وكيل أشغال
اخلاق للبيع1950 · Фильм
قلبي على ولدي1953 · Dokdok
محطة الأنس1942 · Фильм
يوم في العالي1946 · Osman Efendi
نرجس1948 · أبو الفرج
على أد لحافك1949 · Фильм
غلطة أب1952 · Meshmesh
أنا وأمي1957 · Фильм
خضرة والسندباد القبلي1951 · Фильм
المرأة شيطان1949 · والد أحلام
مبروك عليكي1949 · Фильм
أسير العيون1949 · عم عثمان

Ali AlKassar
علي الكسار
Биография
A pioneer of musical comedy, he was born in the Sayeda Zeinab district in 1887. He began his artistic career in 1908 by working in the Zainab Theatre Company, which he founded in 1907. He then worked in the George Abyad Company, where he met Amin Sedky. Together, they formed an acting company in 1916, named after Ali Al-Kassar and Mustafa Amin. On January 6, 1919, he moved his company to his new theatre, the Majestic, on Emad El-Din Street, with his partner and playwright, Amin Sedky. It was the strongest and most successful comedy company, without competition, and it withstood all the challenges that the history of modern Egyptian theatre has known. The two partners remained together until they parted ways at the end of the summer of 1925. Ali Al-Kassar continued to work alone with a troupe bearing his name at the Majestic Theatre until 1939. Throughout that period, he remained steadfast and artistically brilliant, regularly presenting full theatrical seasons to his audience, summer and winter, a new play every three weeks, and eleven concerts, including matinees and soirées, per week. He also traveled with his troupe throughout the governorates of Upper and Lower Egypt and sister Arab countries. Ali Al-Kassar's plays were written by many prominent writers, such as Amin Sedqi, Badi' Khairi, Hamed Al-Sayed, and others. He also presented more than two hundred operettas to the theatre. Ali Al-Kassar's immortal artistic character (Othman Abdel Basset) in his plays represented a symbol of the popular hero who triumphed for his popularity on the stage of that era. He presented it in a variety of different roles, and he never presented it as a servant or a doorman in one of his novels. He remained that way until he dissolved his troupe in 1950 after he became tired of searching for a stage to work on constantly. This was after he left his great theater (the Majestic) following a dispute with its owner, Khawaja Kosti, due to the lack of theaters at that time and the proliferation of cinemas that had taken over the scene instead of theaters. Director and producer Togo Mizrahi exploited the success of the character (Othman Abdel Basset) on the stage, and transferred it to the white screen in nine films, which were not presented by Ali Al-Kassar. It is worth noting that the success of the character (Othman Abdel Basset) did not require him to be presented in the cinema as a doorman or servant. In all the 36 films that presented the character, directed by major directors such as Hussein Fawzy, Hassan El Imam, Mahmoud Zulfikar, and Fouad Khalil, the character was not presented as a servant or doorman except in the film (A Bullet in the Heart). Ali Al-Kassar passed away in Kasr Al-Aini Hospital on January 15, 1957, at the age of 69, after a long struggle with poverty and illness.Фильмография и роли (31)

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