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Режиссёр
Прямо сейчас, а не после2015 · Director
Ночью у моря одна2017 · Director
В другой стране2012 · Director
Женщина, которая убежала2020 · Director
그 후2017 · Director
История кино2005 · Director
День, когда он пришёл2011 · Director
Камера Клэр2018 · Director
자유의 언덕2014 · Director
Отель у Реки2019 · Director
Женщина - это будущее мужчины2004 · Director
하하하2010 · Director
Вращающиеся ворота2002 · Director
День, когда свинья упала в колодец1996 · Director
Ничья дочь Хэвон2013 · Director
Травы2018 · Director
오! 수정2000 · Director
Ты сам и твоё2016 · Director
옥희의 영화2010 · Director
Прямо перед тобой2021 · Director
소설가의 영화2022 · Director
Наша Сонхи2013 · Director
밤과 낮2008 · Director
해변의 여인2006 · Director
잘 알지도 못하면서2009 · Director
Вступление2021 · Director
강원도의 힘1998 · Director
Поднимайтесь наверх2022 · Director
물안에서2023 · Director
Нужды путешественника2024 · Director
Венеция 70: Перезагрузка будущего2013 · Director
Наш день2023 · Director
첩첩산중2009 · Director
수유천2024 · Director
Что эта природа говорит тебе2025 · Director
리스트2011 · Director
В тот день, когда она вернулась2026 · Director
Small Flower2022 · Director
Hong Sangsoo – Winner of the Silver Bear for Best Screenplay2021 · Director
Letter to the New York Film Festival2021 · Director
토니 레인즈와 한국영화 25년2012 · Self
Tree Above Volvo2025 · Director
눈 둘 데가 없네2026 · Director
To the Bakery2026 · Director

Хон Сан-су
Hong Sangsu
Биография
Hong Sang-soo (born October 25, 1960) is a South Korean writer-director. He has directed 35 films as of 2026. Certain elements are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters are seen walking around the city, drinking soju, and having sex. The main characters are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000. Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set. He rarely prepares scripts in advance. Hong's style has been compared to Eric Rohmer's, and it has even been argued that allusions to Rohmer's films appear in some films directed by Hong.Фильмография и роли (44)

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