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A Deep Compassion1972 · Director
We Were There1976 · Director
Sex and the Single Gay1970 · Director
Come of Age1971 · Director
Ron and Chuck in Disneyland Discovery1969 · Director
Mondo Rocco1970 · Director
ONE Adventure1973 · Director
Someone1968 · Director
Drifter1975 · Director
Marco of Rio1969 · Director
Autumn Nocturne1968 · Director
A Dream of Body1972 · Director
Changes1970 · Director
A Breath of Love1971 · Director
Pat Rocco Dared2021 · Self (archive footage)
Get That Sailor1973 · Director
Let There Be Boys1969 · Director
Breath of Love1969 · Director
Love Is Blue1968 · Director
Meat Market Arrest1970 · Director
Sunny Boys1968 · Director
Strip Strip1968 · Director
Pat Rocco Dares1969 · Director
A Pat Rocco Happening!1968 · Director
Sign of Protest1970 · Director
Silent No More1977 · Director

Pat Rocco
Brad Kingston
Биография
Pat Rocco was born Pasquale Vincent Serrapica in 1934 to an Italian-American family in Brooklyn, New York. Moved to California at 11, and "came out" at 13. Had his own radio show, in which he featured as a singer, at 16, and recorded an album at 19. As a charismatic, openly gay youth, Rocco pursued a career in entertainment in Southern California, singing and appearing on televised talent shows. Appeared in some early TV shows in the late 40s and early 50s, and created the part of Mack the Knife in the West Coast premiere of "The Threepenny Opera". A job as a photographer of male nude studies turned into a successful mail-order business of his own 8mm and 16mm films. Shown publicly for the first time in 1968 in L.A.’s Park Theatre, Rocco’s films were widely embraced by the gay community and favorably reviewed by mainstream press. The films were ecstatic affirmations of gay love and identity, groundbreaking at a time when homosexual activity remained illegal. “They were the first really overt gay films with nudity in a public theater […] they had something to say that was positive,” said Rocco in a 1983 interview. The significance of the films was deeply felt: “I’ve had a number of people tell me that ‘I came out because of your films.’ I can’t tell you, the letters, the phone calls, the things like that. ‘They made me feel like I was not alone.’ ‘They gave me a real positive feeling about myself because I could relate to the people on the screen.’” What was once a clandestine, black-market activity became a celebratory event.Фильмография и роли (26)

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