Вернуться в каталог
Режиссёр
BCDirector
Pup BirthDirector
Closet FilmDirector
Filmabuse1975 · Director
Filmabuse (Original)1975 · Director
Groundwork1975 · Director
JoAnn & Susan x21979 · Director
Light LeakDirector
Windows1984 · Director
Moving1981 · Director
Tai Chi II1975 · Director
Backyard WinterDirector
Joe & GreensDirector
Jack-O-Lanterns1974 · Director
Soap + FireDirector
DisabuseDirector
Sprockets1976 · Director
Derek 10-70Director
Covered BridgeDirector
Ala - Dad1979 · Director
Monterey '841984 · Director
DC '82 Home1982 · Director
Atlanta Nat Convention1980 · Director
Cold Day with Chuck1984 · Director
Garbage1984 · Director
Collards Garden, 19851985 · Director
Michigan1976 · Director
Bowl1976 · Director
Landscape1973 · Director
CF Porn1970 · Director
Lie Back & Enjoy It1982 · Director
Rape1975 · Director
Windchimes, Window, Tree1976 · Director
Grains1973 · Director
Sanibel1978 · Director
Windows1974 · Director
Woman's Place & Dance1971 · Director
Tai Chi Bowling1972 · Director
PopcornDirector
Last Whole Earth CatalogDirector
I Can Almost See It1974 · Director
Celebrated Royal Fireworks1973 · Director
Beauty and the Beast1973 · Director
Chocolate Cake1973 · Director
Country Mile1973 · Director
Corduroy1974 · Director
Going Places1980 · Director
[Garden & Joe]1980 · Director
Always Open/Never Closed1971 · Фильм
Shirley & Bruce1979 · Фильм

JoAnn Elam
Биография
JoAnn Elam (April 20, 1949 – June 25, 2009) was a Chicago-based filmmaker. Her films explored the themes of feminism and she was best known for her film Rape (1978). Elam also worked on other political and social documentaries such as her unfinished film Everyday People (1979–1990). Not only did Elam's work focus on these themes but she also focused on everyday life in her films. While living in San Francisco,California, and Yellow Springs, Ohio, where she attended Antioch College, Elam had completed these everyday life documentary films. These films and her other films were produced on 16mm and 8mm films, but mainly 8mm. Her films Rape and Everyday People have been subjects of great interest. Rape has been seen and applauded by many including authors of feminist film criticism journals and reviewers of the film. It has given women the power to speak up about experiences with rape and allowed them to be angry instead of keeping it all in. Everyday People has been on the art and film worlds’ interests because of its uncompleted state and the insight into the postal service, which she used to work for. Description above from the Wikipedia article JoAnn Elam, licensed under CC-BY-SA, full list of contributors on Wikipedia.Фильмография и роли (50)

4.0

8.0













































![[Garden & Joe]](https://wsrv.nl/?url=https://image.tmdb.org/t/p/w500/yQ7OmoOPqjD3gIC6hRehYBFnKYl.jpg)


