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Ung flukt1959 · Director
Døden er et kjærtegn1949 · Director
Fjols til fjells1957 · Director
Giftige løgner1992 · Tom's Grandmother
Olsenbanden møter Kongen og Knekten1974 · Nabokone
Беспокойный дом1954 · Director
Женатый холостяк1958 · Director
Svampe1990 · Gammel dame
Skadeskutt1951 · Director
Ung frue forsvunnet1953 · Director
Jentespranget1973 · Фильм
Den hemmelighetsfulle leiligheten1948 · 1. kontordame
Bedre enn sitt rykte1955 · Director
På solsiden1956 · Director
Slalåm under himmelen1957 · Director
Oslofilm: Kirker i Oslo1954 · Director
Gåten Knut Hamsun1996 · Фильм
Elskede Poona2003 · Fru Gulliksen
Oslofilm: Langåra - et sommerparadis1953 · Director
Oslofilm: Vann og kloakk1953 · Director
Oslofilm: Oslo Bymuseum1954 · Director
Oslofilm: Bak kulissene1964 · Director
Edith Carlmar - bedre enn sitt rykte1994 · Self
Fiskerlivets farer : Rekonstruksjon1954 · Fiskerkonen
Out of Order1997 · Gammel dame
Gåten Knut Hamsun1997 · Сериал
Режиссёр
Edith Carlmar
Биография
Edith Carlmar (Edith Mary Johanne Mathiesen) was an Norwegian actress and Norway's first female film director. She grew up in the eastern part of Oslo, in poor conditions, alone with her mother. However, her mother was a culturally oriented woman, so Edith was introduced to music, dance, and the theatre at an early age. At 19, she married Otto Carlmar, whom she met through her mother. In her early twenties, she made her debut as an actress at Det Nye Teater in Oslo. There she came into contact with Tancred Ibsen, and her interest in film began to take shape when he offered her a position in film production. During the war, she worked as a production manager on several films, and in 1946 she traveled to England to study production management and directing. In 1949, she and her husband founded Carlmar Film A/S, where she was the director and he was the producer. She made her directorial debut in 1949 with Death Is a Caress. Throughout her career, Edith Carlmar directed ten feature films and several short documentary films. Her thematic focus often depicted contemporary Norwegian society in the postwar years, frequently highlighting strong female characters. Many of her films were major audience successes, and the productions often made a profit, even without state funding. Fools in the Mountains remains one of Norway’s greatest box office successes.Фильмография и роли (26)

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