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Catene1949 · Director
I figli di nessuno1951 · Director
Treno Popolare1933 · Director
Cerasella1959 · Director
La nave delle donne maledette1953 · Director
La risaia1956 · Director
Tormento1950 · Director
L'angelo bianco1955 · Director
Chi è senza peccato....1952 · Director
Torna!1954 · Director
L'avventuriera del piano di sopra1941 · Director
La fumeria d’oppio1947 · Director
Джузеппе Верди1953 · Director
L'intrusa1955 · Director
Malinconico autunno1958 · Director
Il birichino di papà1943 · Director
Adultero lui, adultera lei1963 · Director
Раба греха1954 · Director
Sono stato io!1937 · Director
L'ultima violenza1957 · Director
L'Albergo Degli Assenti1939 · Director
Giù il sipario1940 · Director
Giorno di nozze1942 · Director
Vortice1953 · Director
Il tenente Giorgio1952 · Director
L'anonima Roylott1936 · Director
Guai ai vinti1954 · Director
Empezó en boda1944 · Director
I terribili sette1963 · Director
Littoria1933 · Director
Paolo e Francesca1950 · Director
Trappola d'amore1940 · Director
Lo sciopero dei milioni1947 · Director
Il serpente a sonagli1935 · Director
Amore mio1964 · Director
Joe il Rosso1936 · Director
Dora la espía1950 · Director
Mussolinia di Sardegna1933 · Director
Notte di fortuna1941 · Director
Il marchese di Ruvolito1939 · Director
Raffaello Matarazzo
Биография
Largely misunderstood, at best considered a little master of an Italian cinema in full revival after the war thanks to neo-realism, Raffaello Matarazzo is nevertheless the author of some sumptuous melodramas whose success was spectacular in post-fascist Italy. Matarazzo started writing film reviews for the Roman newspaper Il Tevere before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With Catene, produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were Neorealismo d'appendice. Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine Positif loved his erotic-historical peplum The Ship of Lost Women.Фильмография и роли (40)
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