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Volpone1941 · Director
La Femme et le Pantin1929 · Director
La Duchesse de Langeais1942 · Director
Je serai seule après minuit1931 · Director
Fausse Alerte1940 · Director
L'Homme du Niger1940 · Director
Pêcheur d'Islande1924 · Director
Belle étoile1938 · Director
Парижские тайны1943 · Director
Михаил Строгов1936 · Director
L'Ami Fritz1933 · Director
La Rose de la mer1946 · Director
La Légende de sœur Béatrix1923 · Director
Rocambole1948 · Director
La Revanche de Baccarat1948 · Director
Le Carillon de Minuit1924 · Director
Le rêve1931 · Director
Tant que je vivrai1946 · Director
S.O.S. Sahara1938 · Director
Nitchevo1936 · Director
Feu!1937 · Director
Roi de Camargue1935 · Director
Cessez le feu1934 · Director
Aux portes de Paris1935 · Director
Chansons de Paris1934 · Director
Crainquebille1934 · Director
Le dernier choc1932 · Director
L'Arlésienne1930 · Director
La Rafale1920 · Director
Gitanes1933 · Director
La Flambée des rêves1924 · Director
Veille d'armes1925 · Director
Le Réveil1925 · Director
Nitchevo1926 · Director
Le duel1928 · Director
Soyez les bienvenus1942 · Director
Ce n'est pas moi1941 · Director
Le pavillon brûle1941 · Director
Haut le vent1942 · Director
Marie la Misère1945 · Director
Le Rêve1921 · Director
Essais d'acteurs : Ève Francis1926 · Director

Jacques de Baroncelli
J. de Baroncelli
Биография
Jacques de Baroncelli (25 June 1881 – 12 January 1951) was a French film director best known for his silent films from 1915 to the late 1930s. He came from a Florentine family who had settled in Provence in the 15th century, occupying a building in the centre of Avignon then called the Baroncelli Palace (now the Palais du Roure). His father's side of the family were of Tuscan origin and part of the Ghibelline tradition, and they were hereditary Marquises of Javon. Though somewhat aristocratic, the family spoke Provençal, which was rather controversial at a time when it was considered to be a language of the common people. His older brother was Folco de Baroncelli-Javon. He directed well over 80 films between 1915 and 1948 and, in the 1940s, released numerous films in the United States and Italy. One of his films, a version of the Pierre Louÿs novel La Femme et le pantin (1928) was filmed in the experimental Keller-Dorian colour process.Фильмография и роли (42)

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