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Голубой ангел1930 · Director
Шанхайский экспресс1932 · Director
Марокко1930 · Director
Белокурая Венера1932 · Director
Кровавая императрица1934 · Director
Пристани Нью-Йорка1928 · Director
Последний приказ1928 · Director
Преступный мир1927 · Director
Обесчещенная1931 · Director
Жестокий Шанхай1941 · Director
Дьявол — это женщина1935 · Director
Crime and Punishment1935 · Director
Макао1952 · Director
Пилот реактивного самолета1957 · Director
アナタハン1953 · Director
Thunderbolt1929 · Director
1925 Studio Tour1925 · Self
Американская трагедия1931 · Director
Голливуд1980 · Self (archive footage, uncredited)
The Salvation Hunters1925 · Director
Король уходит1936 · Director
The Epic That Never Was1969 · Self - Interviewee
The Case of Lena Smith1929 · Director
A Girl's Folly1917 · Cameraman (uncredited)
Marlene Dietrich, “Der Blaue Engel” Screen Test1930 · Director
The Town1944 · Director
Sergeant Madden1939 · Director
The Drag Net1928 · Director
The Fashion Side of Hollywood1935 · Director
Josef von Sternberg, een retrospektieve1969 · Interviewee
The Exquisite Sinner1926 · Director
The Masked Bride1925 · Director
I, Claudius1937 · Director
No Angel: A Life of Marlene Dietrich1996 · Фильм
Josef von Sternberg Interview1968 · Self
Marlene Dietrich: Home Movies2024 · Self

Josef von Sternberg
Джозеф фон Штернберг
Биография
Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.Фильмография и роли (36)

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