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Годзилла против Мехагодзиллы1974 · Director
Сын Годзиллы1967 · Director
Годзилла против Мегалона1973 · Director
Годзилла против Морского монстра1966 · Director
Годзилла против Гайгана1972 · Director
惑星大戦争1977 · Director
Царь обезьян1978 · Director
Godzilla, King of the Monsters1998 · Фильм
電送人間1960 · Director
100発100中1965 · Director
エスパイ1974 · Director
100発100中 黄金の眼1968 · Director
怪奇大作戦1968 · Director
流星人間ゾーン1973 · Director
国際秘密警察 虎の牙1964 · Director
Город зверей1970 · Director
ハワイの若大将1963 · Director
コント55号 宇宙大冒険1969 · Director
情無用の罠1961 · Director
日本一の若大将1962 · Director
ニュージーランドの若大将1969 · Director
フレッシュマン若大将1969 · Director
暗黒街撃滅命令1961 · Director
大日本スリ集団1969 · Director
暗黒街の牙1962 · Director
怒涛一万浬1966 · Director
のら犬作戦1963 · Director
血とダイヤモンド1964 · Director
吼えろ脱獄囚1962 · Director
西のペテン師 東のサギ師1971 · Director
にっぽん実話時代1963 · Director
香港の白い薔薇1965 · Director
恐るべき火遊び1959 · Director
守屋浩の三度笠シリーズ 泣きとうござんす1961 · Director
守屋浩の三度笠シリーズ 有難や三度笠1961 · Director
ソレが男の生きる道1970 · Director
喜劇 だましの仁義1974 · Director
女性自身1962 · Director
3000キロの罠1971 · Director
コント55号 人類の大弱点1969 · Director
コント55号 俺は忍者の孫の孫1969 · Director
Motta, het Vligiende Dracula-Monster1969 · Director
Гибель Японии1974 · Director

福田純
Дзюн Фукуда
Биография
Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.Фильмография и роли (43)

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