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Двенадцать пар глаз1954 · Director
Легенда о Нараяме1958 · Director
Кармен возвращается домой1951 · Director
Любовь на всю жизнь1961 · Director
Японская трагедия1953 · Director
Ты была подобна дикой хризантеме1955 · Director
Армия1944 · Director
Легенда или быль?1963 · Director
Новый Ёцуя-Кайдан. Часть 11949 · Director
Невинная любовь Кармен1952 · Director
Новый Ёцуя-Кайдан. Часть 21949 · Director
За здоровье барышни!1949 · Director
笛吹川1960 · Director
Подросток1951 · Director
Обручальное кольцо1950 · Director
Порт в цветах1943 · Director
Сад женщин1954 · Director
Утро семьи Осонэ1946 · Director
Облака на закате1956 · Director
Лепестки на ветру1959 · Director
Далёкие облака1955 · Director
風前の灯1957 · Director
Живой Магороку1943 · Director
Цветы и благовония1964 · Director
Женщина1948 · Director
Прощание с весной1959 · Director
Жить-то я жил: Биография Ясудзиро Одзу1983 · Self
Феникс1947 · Director
歓呼の町1944 · Director
Оставляя этих детей1983 · Director
Солнце и роза1956 · Director
Отец1988 · Director
Доброе зло1951 · Director
Мой сын убит!1979 · Director
春の夢1960 · Director
Дырявый барабан1949 · Director
Фейерверк над морем1951 · Director
Сегодня ещё один день1959 · Director
Зимы и вёсны, которые мы прошли вдвоём1962 · Director
Нарушенный завет1948 · Director
Портрет1948 · Director
Девушка, которую я любил1946 · Director
歌え若人達1963 · Director
新・喜びも悲しみも幾歳月1986 · Director
この天の虹1958 · Director
父よ母よ!1980 · Director
Любовь этого года1962 · Director
Замужество1947 · Director
Годы счастья, годы печали1957 · Director
なつかしき笛や太鼓1967 · Director
スリランカの愛と別れ1976 · Director
二人の世界1970 · Director
たんとんとん1971 · Director
兄弟1969 · Director
わが子は他人1974 · Director

木下惠介
木下正吉 (本名)
Биография
Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. He refused to be bound by genre, technique, or dogma. Kinoshita excelled in almost every genre: comedy, tragedy, social dramas, period films. He shot all films on location or in a one-house set. He pursued severe photographic realism with the long take, long-shot method, and went equally far toward stylization with fast cutting, intricate wipes, tilted cameras, and even classical scroll-painting and Kabuki stage technique. Kinoshita was highly prolific, turning out some 42 films in the first 23 years of his career. For this, Kinoshita explained that he "can’t help it. Ideas for films have always just popped into my head like scraps of paper into a wastebasket." While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Although few concrete details have emerged about Kinoshita's personal life, his homosexuality was widely known in the film world. Screenwriter and frequent collaborator Yoshio Shirasaka recalls the "brilliant scene" Kinoshita made with the handsome, well-dressed assistant directors he surrounded himself with. His 1959 film Farewell to Spring (Sekishuncho) has been called "Japan's first gay film" for the emotional intensity depicted between its male characters. Kinoshita received the Order of the Rising Sun in 1984 and was awarded the Order of Culture in 1991 by the Japanese government. He died on December 30, 1998, of a stroke. His grave is in Engaku-ji in Kamakura, very near to that of his fellow Shochiku director, Yasujirō Ozu.Фильмография и роли (55)

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